Gaumont and Wild Bunch are co-selling the title. Principal photography will begin in Los Angeles on March 30. “After making Drive and falling madly in love with the electricity of Los Angeles, I knew I had to return to tell the story of The Neon Demon,” Winding Refn said. Nicolas Winding Refn’s The Neon Demon Elle Fanning, Keanu Reeves, Christina Hendricks, Abbey Lee, Bella Heathcote and Jena Malone have signed on to co-star in Nicolas Winding Refn’s next feature. Hot projects new to Screenbase include Nicolas Winding Refn feature The Neon Demon, Pope Francis biopic Francisco, Brady Corbet’s directorial debut The Childhood Of A Leader and a new adaptation by Wim Wenders. SXSW 2015 Interview: Julien Temple On Life, Death, And The Ecstacy Of Wilko Johnson
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And perhaps that's why Temple is content to refer to Johnson's musical talent and legacy only in passing in 'Ecstasy.' This is a film about a man, not a legend, and indeed it is the man who emerges as bigger than movie as a result. "If it's going to kill me," says Wilko Johnson, influential British rock guitarist, and subject of Julien Temple's new documentary, "I don't want it to bore me." He's speaking of his shock diagnosis with terminal pancreatic cancer in his mid-60s, after which he was given ten months to live, and enjoyed, in his own words, "the most extraordinary year of my life." Onetime punk-scene filmmaker Temple (who also directed " Absolute Beginners" and " Earth Girls Are Easy" back in the '80s) has filmed Johnson, onetime punk-scene spiritual godfather, before - in 2009's " Oil City Confidential," his documentary on Johnson's most well-known band Dr.
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See full article at The Guardian - Film Newsįilm Review: 'The Ecstasy of Wilko Johnson' Yet here he was – larger than life, stranger than fiction, Indeed, Temple’s unexpectedly celebratory film began life as a chronicle of a death foretold, doctors having given Wilko less than a year to live following a diagnosis of pancreatic cancer in 2012. It was an extraordinary show, made all the more remarkable by the fact that Johnson wasn’t supposed to be there at all. Julien Temple crafts an uplifting ode to life in this celebration of Dr Feelgood’s Wilko Johnson and his battle against cancer “Bloody hell, man, I’m supposed to be dead!” Following the recent London premiere of Julien Temple’s latest kaleidoscopic documentary, Wilko Johnson played a sweat-streaked gig at the 100 Club on Oxford Street, strutting up and down the small stage like a berserker, swapping gleeful looks with the great Blockheads bassist, Norman Watt-Roy, machine-gunning the audience with the staccato strumming of his black Telecaster.
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